Magical Angel Creamy Mami
tv show

52 total episodes
-
1 seasons
First Aired July 01, 1983
Overview
Creamy Mami, the Magic Angel is a magical girl anime series by Studio Pierrot which aired from 1983 to 1984 on Nippon Television. It went on to have five OVA adaptions and featured in other Studio Pierrot special presentations. A three volume manga was released during the original TV run, with the story written by Kazunori Itō and art by Yuuko Kitagawa. This was the first of five magical girl anime to be produced by Studio Pierrot, and the first of these to feature the designs of Akemi Takada. In 2005, the web-poll for TV Asahi's top-100 anime of all time saw Creamy Mami, the Magic Angel poll 82nd. The series is currently streaming in North America via Yomiuri Group's planned Anime Sols video service, as of spring 2013. Thus far, a limited DVD release of the first thirteen episodes has been successfully crowd-funded at Anime Sols, with the second set of episodes currently in crowd-fund mode.

The Valentine of just the two of us
Season 1 - Episode 32 - 1h 30m
Air Date
February 10, 1984
Overview
Tetsuo and Natsume look on with delight as Yuu prepares some home-made chocolate before deciding to playfully tease her as if she were a small child clumsy in the kitchen before Yuu derails them with the mention of the »ingredient of love« as she joins Posi and Nega on the roof; after the love spirit infuses her chocolate, Nega explains Yuu that the epilogue is a reflection of her efforts going forward. Galvanized by the data of home commute conclusion much to his social chagrin, Yuu races ahead to customize Toshio's room the next afternoon with Posi and Nega's help not realizing that Toshio has stopped to read the magazine on the way home. Yuu races out to greet Toshio whose preoccupation with what he thinks is a love letter from Creamy Mami ignites a divergent concourse that prompts her to repudiate Toshio in disgust and run away in tears; after commiserating with the anguished Mami Shinoda at the park, Yuu sets course for a church that is a crucial component of her prologue with Toshio who is at a loss for what he is doing wrong. Midori interjects himself as the ultimate deus ex machina for both Toshio and Yuu to see the light regarding their human fallibility at the site of Toshio's most altruistic intercession for her.