Nicholas Musuraca
male

Born on October 25, 1892 (133 years old)
Passed Away on September 03, 1975
From Riace, Calabria, Italy
Known for Camera
Biography
From Wikipedia, the free encyclopedia Nicholas Musuraca, A.S.C. (October 25, 1892 – September 3, 1975) was a motion-picture cinematographer best remembered for his work at RKO Pictures in the 1940s including many of Val Lewton's series of B-picture horror films. Nicola Musuraca left his home in Riace, province of Reggio di Calabria, Italy, and emigrated to the United States in 1907. He and his father, Cosimo Musuraca, boarded the Italian steamer Re d'Italia in July 1907, sailing from Naples on July 18 and arriving at the Port of New York on August 3, 1907. There, they were transferred to Ellis Island with their fellow steerage passenger where they underwent federal immigrant inspection. Upon being admitted the father and son set out for Brooklyn to join Cosimo's brother, Francesco. He began his film career as the chauffeur for silent film producer J. Stuart Blackton. He worked behind the scenes on numerous silent and B-movie action films before becoming one of RKO Radio Pictures prime directors of photography in the 1930s. Stranger on the Third Floor (1940) is sometimes considered the first film-noir. While working regularly at RKO, joined Val Lewton's unit making low-budget horror-films being responsible for the cinematography of five of the films produced by Lewton's unit. Musuraca collaborated with director Jacques Tourneur on Cat People (1942) and, after the end of Lewton's time at RKO, Out of the Past (1947). He was nominated for a 1947 Academy Award for his work on I Remember Mama. After working briefly at Warner Bros. in the late 1950s, Musuraca joined Desilu, where he spent his last active years in TV work including the television series F Troop.
Cast Credits
No credits available
Crew Credits
- 1961
- 1960
- 1958
- 1957
- 1956
- 1954
- 1953
- 1952
- 1951
- 1950
- 1949
- 1948
- 1947
- 1946
- 1945
- 1944
- 1943
- 1942

Cat People
as
Director of Photography
1942

The Tuttles of Tahiti
as
Director of Photography
1942

The Navy Comes Through
as
Director of Photography
1942

Obliging Young Lady
as
Director of Photography
1942

Call Out the Marines
as
Director of Photography
1942

Bandit Ranger
as
Director of Photography
1942

Pirates of the Prairie
as
Director of Photography
1942
- no image
Cooks and Crooks
as
Director of Photography
1942
- 1941
- 1940
- 1939

Golden Boy
as
Director of Photography
1939

Twelve Crowded Hours
as
Director of Photography
1939

Allegheny Uprising
as
Director of Photography
1939

Five Came Back
as
Director of Photography
1939

Sorority House
as
Director of Photography
1939

They Made Her a Spy
as
Director of Photography
1939

Pacific Liner
as
Director of Photography
1939
- 1938

Hatred
as
Assistant Camera
1938

Crashing Hollywood
as
Director of Photography
1938

Tarnished Angel
as
Director of Photography
1938

Sky Giant
as
Director of Photography
1938

Blind Alibi
as
Director of Photography
1938

Law of the Underworld
as
Director of Photography
1938

Night Spot
as
Director of Photography
1938

Everybody's Doing It
as
Director of Photography
1938

The Mad Miss Manton
as
Director of Photography
1938

Smashing the Rackets
as
Director of Photography
1938

Condemned Women
as
Director of Photography
1938
- 1937

Quick Money
as
Director of Photography
1937

Danger Patrol
as
Director of Photography
1937

Saturday's Heroes
as
Director of Photography
1937

Living on Love
as
Director of Photography
1937

Flight from Glory
as
Director of Photography
1937

The Big Shot
as
Director of Photography
1937

Border Cafe
as
Director of Photography
1937

Too Many Wives
as
Director of Photography
1937

China Passage
as
Director of Photography
1937

We're on the Jury
as
Director of Photography
1937
- 1936
- 1935
- 1934

The Richest Girl in the World
as
Director of Photography
1934

Where Sinners Meet
as
Director of Photography
1934

Murder on the Blackboard
as
Director of Photography
1934

By Your Leave
as
Director of Photography
1934

We're Rich Again
as
Director of Photography
1934

Sing and Like It
as
Director of Photography
1934

Long Lost Father
as
Director of Photography
1934

Bedlam of Beards
as
Director of Photography
1934

Autobuyography
as
Cinematography
1934
- 1933

Scarlet River
as
Director of Photography
1933

The Cheyenne Kid
as
Director of Photography
1933

Chance at Heaven
as
Director of Photography
1933

Midshipman Jack
as
Director of Photography
1933

Headline Shooter
as
Director of Photography
1933

Flying Devils
as
Director of Photography
1933

Son of the Border
as
Director of Photography
1933

Cross Fire
as
Director of Photography
1933

The Gay Nighties
as
Cinematography
1933
- 1932
- 1931
- 1930
- 1929
- 1928
- 1927
- 1926
- 1923


























































































