Elmer Raguse
male

Born on May 09, 1901 (124 years old)
Passed Away on March 02, 1972
From Springfield, Massachusetts, USA
Known for Sound
Biography
RAGUSE, ELMER (Elmer Roy Raguse) Born May 9, 1901, Springfield, Massachusetts. A ham radio enthusiast at 16, Raguse was a chief telegraph operator on ships for the Marconi Wireless Company before joining the phonograph record industry in 1924. He designed the first electrical recording system for Bell Telephone and installed it for Columbia Records and the Victor Talking Machine Company, which hired him as Assistant Supervisor of Recording; Raguse designed and built portable recording equipment used by Victor around the world. In 1928, Elmer supervised the recording of music and effects scores for the last of the L&H and Our Gang silents at Victor’s studios in Camden, New Jersey. He was sent to the Roach studios in Culver City to install sound recording equipment, and also insulate and redesign the stages. Raguse worked on 30 L&H films, sometimes without credit, and also recorded the sound for most of the foreign-language pictures. He remained as chief sound engineer until Henry Ginsberg fired him in a cost-cutting move in December 1931. Raguse worked at Fox and for radio producer C.P. MacGregor until Roach rehired him in January 1934; he remained there through 1957. He then worked for Desilu and finally returned to theatrical films with 20th Century-Fox. He retired to Florida in 1967. His work on Topper, Of Mice and Men, and other films earned him five Oscar nominations for sound recording and two for special effects. Elmer’s brother Roy and nephew Richard also worked at the Roach studio. Died of heart failure March 2, 1972, Palm Beach, Florida; age 70.
Cast Credits
No credits available
Crew Credits
- 1965
- 1964
- 1963
- 1948
- 1941
- 1937
- 1936
- 1935
- 1932
- 1931

One Good Turn
as
Sound
1931

Hasty Marriage
as
Sound
1931

Come Clean
as
Sound
1931

Chickens Come Home
as
Sound Recordist
1931

Dogs Is Dogs
as
Sound Recordist
1931

The Pip from Pittsburg
as
Sound Recordist
1931

Thundering Tenors
as
Sound Recordist
1931

Pardon Us
as
Recording Supervision
1931

Haunted at Midnight
as
Sound
1931

Rough Seas
as
Sound Recordist
1931

One of the Smiths
as
Sound
1931

Skip the Maloo!
as
Sound
1931

What a Bozo!
as
Sound
1931
- 1930

Brats
as
Sound Recordist
1930

Hog Wild
as
Sound Recordist
1930

The Night Life
as
Sound
1930

Blotto
as
Sound
1930

The Laurel-Hardy Murder Case
as
Sound Engineer
1930

Shivering Shakespeare
as
Sound
1930

The First Seven Years
as
Sound
1930

When the Wind Blows
as
Sound
1930

Teacher's Pet
as
Sound Recordist
1930

Radiomanía
as
Sound
1930

Night of Goblins
as
Sound
1930

Bear Shooters
as
Sound Engineer
1930

Another Fine Mess
as
Sound Recordist
1930

The Real McCoy
as
Recording Supervision
1930

Whispering Whoopee
as
Sound
1930

All Teed Up
as
Sound
1930

Fifty Million Husbands
as
Sound
1930

Girl Shock
as
Sound Recordist
1930
- 1929
























