Karl Freund
male

Born on January 16, 1890 (135 years old)
Passed Away on May 03, 1969
From Königinhof, Bohemia, Austria-Hungary [now Dvur Kralove, Czech Republic]
Known for Camera
Biography
From Wikipedia, the free encyclopedia. Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Cast Credits
Crew Credits
- 1960
- 1953
- 1950
- 1949
- 1948
- 1947
- 1946
- 1945
- 1944
- 1943
- 1942
- 1941
- 1940
- 1939
- 1938
- 1937
- 1936
- 1935
- 1934
- 1933
- 1932
- 1931
- 1930
- 1929
- 1928
- 1927
- 1926
- 1925
- 1924
- 1923
- 1922
- 1921
- 1920
The Golem: How He Came Into the World
as
Director of Photography
1920
The Head of Janus
as
Director of Photography
1920
The Spiders: Part 2 - The Diamond Ship
as
Director of Photography
1920
- no image
Catherine the Great
as
Cinematography
1920
The Hunchback and the Dancer
as
Director of Photography
1920
- no image
Panic in the House of Ardon
as
Director of Photography
1920
Satan
as
Director of Photography
1920
- no image
Die Nacht auf Goldenhall
as
Director of Photography
1920
- 1919
The Spiders: Part 1 - The Golden Sea
as
Director of Photography
1919
- no image
Augen
as
Cinematography
1919
- no image
Augen
as
Camera Department Manager
1919
Phantome des Lebens
as
Director of Photography
1919
The Boy in Blue
as
Director of Photography
1919
- no image
Die Arche. 2. Teil: Die letzten Menschen
as
Director of Photography
1919
- no image
The Arc
as
Director of Photography
1919
Intoxication
as
Director of Photography
1919
- 1918
- no image
Die Heimkehr des Odysseus
as
Director of Photography
1918
- no image
Agnes Arnau und ihre drei Freier
as
Director of Photography
1918
Die Dame, der Teufel und die Probiermamsell
as
Director of Photography
1918
Die blaue Laterne
as
Director of Photography
1918
Countess Kitchenmaid
as
Director of Photography
1918
- no image
Auf Probe gestellt
as
Director of Photography
1918
Das Geschlecht derer von Ringwall
as
Director of Photography
1918
- no image
Das Maskenfest des Lebens
as
Director of Photography
1918
- 1917
Gefangene Seele
as
Director of Photography
1917
The Giant's Fist
as
Director of Photography
1917
Der Liebesbrief der Königin
as
Director of Photography
1917
- no image
Die Claudi vom Geiserhof
as
Director of Photography
1917
Die Ehe der Luise Rohrbach
as
Director of Photography
1917
- no image
Christa Hartungen
as
Director of Photography
1917
- 1916
The White Roses
as
Director of Photography
1916
Little Angel's Wedding
as
Camera Operator
1916
Das wandernde Licht
as
Director of Photography
1916
Frau Eva
as
Director of Photography
1916
- no image
The Man in the Mirror
as
Director of Photography
1916
The Robber Bride
as
Director of Photography
1916
Bummelstudenten
as
Director of Photography
1916
- 1914
- 1913
- 1912