John F. Seitz
male

Born on June 23, 1892 (132 years old)
Passed Away on February 27, 1979
From Chicago, Illinois, USA
Known for Camera
Biography
John Francis Seitz, A.S.C. (June 23, 1892 – February 27, 1979) was an American cinematographer and inventor. He was nominated for seven Academy Awards. Seitz's Hollywood career began in 1909 as a lab assistant with the Essanay Film Manufacturing Company in Chicago. He went to work as a lab technician for the American Film Manufacturing Company (known as "Flying A"), also in Chicago. In 1916, during the silent era, he established himself, achieving great successes with the Rudolph Valentino film The Four Horsemen of the Apocalypse (1921). Highly regarded by director Billy Wilder, Seitz worked with him on the film noirs Double Indemnity (1944), The Lost Weekend (1945), and Sunset Blvd. (1950), receiving Academy Award nominations for each. In 1929, he served a year as president of the American Society of Cinematographers (A.S.C.) for which he had been a member since 1923. The A.S.C. named its 2002 Heritage Award after Seitz. Besides one Golden Globe and seven Oscar nominations, he also received the Look Magazine Award for The Lost Weekend, the A.S.C. Award for Sunset Blvd., and was among the winners of the inaugural George Award from the George Eastman House for outstanding contributions to the art of cinema for the years 1915 to 1925. He retired in 1960 and devoted himself to photographic inventions, for which he held 18 patents. An example of one Seitz invention is the matte shot: a large painting is photographed separately and later added to a scene to expand it, add effects, and/or create a sense of depth in backgrounds. He was also noted for his innovations with low-key lighting, which enhanced the film noir style. A widower, he married screenwriter Marie Boyle in 1934 who raised his daughter Margaret Alice Marhoefer and later gave birth to a son, John Lawrence Seitz.
Cast Credits
No credits available
Crew Credits
- 1960
- 1959
- 1958
- 1957
- 1956
- 1955
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- 1950
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- 1944
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- 1942
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- 1940
- 1939
Bad Little Angel
as
Director of Photography
1939
6,000 Enemies
as
Director of Photography
1939
- no image
Let's Talk Turkey
as
Director of Photography
1939
Sergeant Madden
as
Director of Photography
1939
Prophet Without Honor
as
Director of Photography
1939
The Adventures of Huckleberry Finn
as
Director of Photography
1939
Thunder Afloat
as
Director of Photography
1939
- no image
Culinary Carving
as
Cinematography
1939
- 1938
- 1937
- 1936
- 1935
The Littlest Rebel
as
Director of Photography
1935
Curly Top
as
Director of Photography
1935
One More Spring
as
Director of Photography
1935
Our Little Girl
as
Director of Photography
1935
Redheads on Parade
as
Director of Photography
1935
Navy Wife
as
Director of Photography
1935
Helldorado
as
Director of Photography
1935
The Farmer Takes a Wife
as
Cinematography
1935
- 1934
- 1933
- 1932
- 1931
The Age for Love
as
Director of Photography
1931
Over the Hill
as
Director of Photography
1931
East Lynne
as
Director of Photography
1931
Hush Money
as
Director of Photography
1931
Merely Mary Ann
as
Director of Photography
1931
Misbehaving Ladies
as
Director of Photography
1931
Young Sinners
as
Director of Photography
1931
Men of the Sky
as
Director of Photography
1931
- 1930
Kismet
as
Director of Photography
1930
The Right of Way
as
Director of Photography
1930
The Bad Man
as
Director of Photography
1930
Road to Paradise
as
Director of Photography
1930
- no image
Sweethearts and Wives
as
Director of Photography
1930
Back Pay
as
Director of Photography
1930
In the Next Room
as
Director of Photography
1930
Murder Will Out
as
Director of Photography
1930
- 1929
Saturday's Children
as
Director of Photography
1929
The Squall
as
Director of Photography
1929
Her Private Life
as
Director of Photography
1929
The Painted Angel
as
Director of Photography
1929
A Most Immoral Lady
as
Director of Photography
1929
Careers
as
Director of Photography
1929
Hard to Get
as
Director of Photography
1929
- 1928
- 1927
- 1926
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- 1923
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- 1916